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Scale and Chord Builder

Builds any scale or chord from a root note, listing every note with its frequency and interval from the root.

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In short A scale or a chord is a pattern of semitone distances from a root, and the pattern is the same wherever you start it. The major scale is 0, 2, 4, 5, 7, 9, 11 — whole, whole, half, whole, whole, whole, half — so C major is C D E F G A B and D major is the same shape moved up two semitones. A major triad is 0, 4, 7: the root, a major third and a perfect fifth. Flatten the third to 3 and it is minor; flatten the fifth to 6 as well and it is diminished. Two relationships worth knowing fall straight out of that arithmetic. The natural minor scale contains exactly the same notes as the major scale a minor third above it, which is why A minor and C major share a key signature — this tool will show you the identical set of pitch classes. And the seven modes are simply the major scale started from each of its own degrees: Dorian is the major scale from its second note, Mixolydian from its fifth, and so on, which is why they share every note with their parent scale and sound different only because the root has moved. One caveat on spelling. F sharp and G flat are the same key and the same frequency, and which name is correct depends on the key you are writing in rather than on the sound. This tool follows the setting you choose rather than trying to infer the theoretically correct spelling.

How to use the Scale and Chord Builder

  1. Enter a root note.
  2. Choose a scale or a chord and its type.
  3. Read the notes, their frequencies and their intervals from the root.

About the Scale and Chord Builder

Any scale or chord built from a root note, with frequencies and intervals.

What people use it for

  • Finding the notes in a scale or chord.
  • Working out the notes of a mode.
  • Getting exact frequencies for programming a synthesiser.

Details

Major scale0, 2, 4, 5, 7, 9, 11 semitones from the root
Major triad0, 4, 7 — root, major third, perfect fifth
Relative minorthe same notes, rooted a minor third lower
The modesthe major scale started from each of its own degrees
F# and Gbthe same pitch — spelling depends on the key
PrivacyEverything runs in your browser. Nothing you enter is sent anywhere
All frequencies are equal-tempered. A choir or string group performing the same chord would bend the third and sixth toward their pure ratios, which is why they can sound sweeter than a keyboard.

Where this tool stops

Every frequency here is equal temperament, which is what fixed-pitch instruments use and what tuners default to. Singers and string players bend away from it toward pure ratios, so a measured performance will not match these figures exactly — that difference is a feature of the music, not an error. Concert pitch is a convention rather than a constant: A4 = 440 Hz is the modern standard but orchestras use 442 or 443, and historically informed ensembles often use 415.

Frequently asked questions

What notes are in a C major scale?
C D E F G A B. The pattern is whole, whole, half, whole, whole, whole, half — semitone steps of 0, 2, 4, 5, 7, 9, 11 from the root — and it transposes to any other root unchanged.
What is the relative minor?
The natural minor scale rooted a minor third below the major one, containing exactly the same notes. A minor and C major share every pitch and therefore a key signature; only the tonal centre differs.
What are the modes?
The major scale started from each of its own degrees. Dorian starts on the second, Phrygian the third, Lydian the fourth, Mixolydian the fifth, Aeolian the sixth — which is the natural minor — and Locrian the seventh. They share every note with the parent scale.
What is the difference between a major and minor chord?
One semitone in the middle note. A major triad is 0, 4, 7 semitones from the root and a minor triad is 0, 3, 7. Lowering the third by a semitone is the whole difference.
Should I use sharps or flats?
It depends on the key rather than the sound — they are the same pitches. Sharp keys use sharps, flat keys use flats, and a scale should normally use each letter name once. This tool follows your setting rather than guessing.
Is the Scale and Chord Builder free, or is there a paid tier?
It is free, with no account, no trial and no daily cap. Every calculators tool on inputtesthub.com works the same way: open the page and use it.
Is my data uploaded anywhere?
No. The Scale and Chord Builder runs entirely in your browser using JavaScript. Because the work happens locally, the utility also keeps working if your connection drops, and closing the tab is all it takes to discard everything.
What problem does the Scale and Chord Builder solve?
The most common reasons people reach for it: finding the notes in a scale or chord. Working out the notes of a mode. Getting exact frequencies for programming a synthesiser. It is built for exactly those cases rather than being a general-purpose tool with this bolted on.
Is there anything the Scale and Chord Builder cannot do?
Every frequency here is equal temperament, which is what fixed-pitch instruments use and what tuners default to. Singers and string players bend away from it toward pure ratios, so a measured performance will not match these figures exactly — that difference is a feature of the music, not an error. Concert pitch is a convention rather than a constant: A4 = 440 Hz is the modern standard but orchestras use 442 or 443, and historically informed ensembles often use 415. Knowing where a tool stops being trustworthy matters more than the cases where it works.
What figures does the Scale and Chord Builder work from?
Major scale is 0, 2, 4, 5, 7, 9, 11 semitones from the root. Major triad is 0, 4, 7 — root, major third, perfect fifth. Relative minor is the same notes, rooted a minor third lower. These are printed on the page itself, so you do not have to take them on trust.
Is the number rounded?
The calculation runs in double precision and the result is shown to ten significant figures, so converting a value and converting it back returns the original. What is displayed is rounded for readability; what is copied is not.

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